The Rewind Button: The Beatles

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

The Beatles The White AlbumHenrik Ibsen’s play A Doll’s House explores the notion of individuality, namely the process of figuring out who you are so that you can become that person completely. Considered controversial at the time of its premier and publication, today the play is a dramatic classic.

The Beatles (a.k.a. “The White Album”) was slated to be named A Doll’s House after the Ibsen play. It’s a fitting title, because it too is representative of a group trying to figure out who they are and who they will become. (I wish they would have stayed with that title, because I love seeing works tethered to each other across genres and ages.)

Based on previous Rewind Button reviews, it’s no secret that I love The Beatles.  To paraphrase the character Bob Slydell from the movie Office Space: I’ll be honest with you, I love their music. I do. I’m a Beatles fan. For my money, I don’t know if it gets any better than when they sing “While My Guitar Gently Weeps.”

Because of its eclecticism, it’s the perfect primer for someone who has never heard The Beatles’ music. Put this album on at a party, and you’ll have at least one song that will appeal to individual listeners.

We’re back at that word: individual. This is the album that starts the group’s third act, the one that leads to their denouement. They’ve figured out that they don’t need each other to write great songs, they have the strength to be on their own without carrying the weight of a group name so entrenched in the collective mind of society, which can appear quite rigid and unforgiving.

Maybe not naming the album was for the best. A lack of artwork and proper name lends to the notion of new beginnings, a clean slate, a slam of the door on the past and the white light at the end of a tunnel.

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The Rewind Button: Blonde on Blonde

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

Blonde on Blonde by Bob DylanI’ll admit that I had every intention on writing this review earlier in the day. Life happened, though, and I found myself relaxing on the couch and reading a book at the end of the night. Pausing to rest my eyes, the song “I Want You” popped into my head. And then it hit me–I forgot to write the review.

But maybe I didn’t forget. Maybe I procrastinated because Blonde on Blonde is another album in this series that, while good, just doesn’t inspire me to rush out and exclaim its virtues. I do like it better than Highway 61 Revisited, primarily because of its pop qualities. “Rainy Day Women #12 & 35” reminds me of the opening music to a big-top circus performance. (Cue obvious note of the song influencing how The Beatles opened Sgt. Pepper’s.)

All the other songs on the album are good, yes, but as I write this review, they don’t come to mind as easily as “I Want You” or “Rainy Day Women.” I readily admit that I’m a sucker for a good pop hook, and perhaps that is what is throwing me off with this album. I may be focusing too heavily on those songs that are obvious singles for radio play. There’s nothing wrong with loving singles, but this is supposed to be a review of an entire album, a critique of how the individual parts work toward a superb achievement.

Tonight is not that night, though. Tonight is about pouring a big glass of Sangiovese wine, sliding on some headphones, and locking a song on repeat. I don’t think Dylan would mind. He wanted to be the voice of the common man, and for every individual, that voice comes through one song. Tonight, that song for me is “I Want You.”

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The Rewind Button: London Calling

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

The Clash London CallingLondon Calling
33-year-old male
London, England
seeking males and females, 17-64

Have Kids: No

Want Kids: No

Ethnicity: White

Body Type: Skinny

Height: Tall

Religion: No comment

Smoke: All the time

Drink: All the time

Favorite Hot Spots: The Black Swan, Dingwalls, various pubs around London

Favorite Things: Rockabilly, ska, reggae, punk music, drugs, football, talking politics

Last Book Read: I read newspapers all the time, more so than books.

For Fun: I love to rebel-rouse. All my friends would call me the life of the party. And music. Oh my god, music is my life. Well, that, and playing football. When I’m out at the pub–I go there a lot–people say I’m pretty surly. I’m not really. I just come across that way because, you know, there’s so much wrong in the world and I feel people should do more to correct it. I seem to just take it upon myself, and that makes me a little sour toward people. I think people should be allowed to be themselves, but society constantly pushes them into the cubes and tries to form them into blocks that they can stack one on top of the other. I’m want to topple that stack. I want to throw a beanbag into and bring it all down. That’s how I know I’m winning in this world, that’s how I know I’m somebody. But, man, it’s so hard. So most of the time, I just chill in my room with beers and friends and we listen to some music. We don’t care what kind. If we enjoy it, we listen to it. That’s why people call me a punk, because I don’t give a fuck. But I do in a way. It’s weird, I only care because I want to care, not because someone tells me to care. That’s what’s fun to me. Doing things my way and not boxing myself in. If you’re cool with that, write me.

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The Rewind Button: Exile on Main St.

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

Since the Rolling Stones are masters at creating music based on influences, I thought I’d do the same for my review this week. I asked friends on Facebook and Twitter to send me adjectives to describe Exile on Main St., and I took those words and crafted my own short review. I packaged it all on Storify.

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Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1972/" rel="tag">1972</a>, <a href="http://www.pimplomat.com/tag/america/" rel="tag">America</a>, <a href="http://www.pimplomat.com/tag/blues/" rel="tag">blues</a>, <a href="http://www.pimplomat.com/tag/british/" rel="tag">British</a>, <a href="http://www.pimplomat.com/tag/england/" rel="tag">England</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/soul/" rel="tag">soul</a>, <a href="http://www.pimplomat.com/tag/the-rolling-stones/" rel="tag">The Rolling Stones</a> 3 Comments

The Rewind Button: Rubber Soul

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

Rubber SoulNow we come to my favorite Beatles’ album, and I have to figure out a way to explain why it’s my favorite. Won’t you let me get away with just saying it’s great, go listen, then end? I didn’t think so.

Here’s where I start: This is the first Beatles’ album that included no covers and included all four members as composers. When I listen to Rubber Soul, I feel like I’m listening to an album and not a compilation of singles. I feel like there was a real purpose to the overall production.

Another aspect that appeals to me is that it’s a turning point in The Beatles’ career. It’s their turn-the-corner moment. The recordings look to the past and future, sometimes within a single song. For example, take out the sitar in “Norwegian Wood” and you still have a good song, but one that could have fit on previous Beatles’ albums or featured on another artist’s album in that time period. But The Beatles added the sitar, an instrument that is usually classified as a world music instrument.

In 1965, attitudes about the world were changing, people were openly embracing other cultures and experimenting with ways of how to better inhabit this planet. For the world’s most popular band at the time to contribute to that attitude, well, that’s a pretty big deal. They didn’t need to sing political songs; they expressed their views with instrument choices, recording practices, and art direction.

Just look at the album cover and name, for example. The group photo is in focus, but slightly stretched. This aligns with the name Rubber Soul, in that the world and humans are getting pulled. The world is warped, there’s something new afoot.

And consider this new direction for the band: the song “Run for Your Life.” Sure, The Beatles had written sad songs in the past, but never one which expresses outright anger and wishful hurting. This is Rubber Soul‘s last song, and it’s a prescient one knowing what we do now of how the summercruxe of love ended in Altamont.

Because I’m fascinated and drawn to the cruxes in life, that is why Rubber Soul is my favorite Beatles album. It’s a perfectly balanced affair that, in my list, ranks far above Revolver and Sgt. Pepper’s.

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Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1965/" rel="tag">1965</a>, <a href="http://www.pimplomat.com/tag/altamont/" rel="tag">Altamont</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/rubber-soul/" rel="tag">Rubber Soul</a>, <a href="http://www.pimplomat.com/tag/sixties/" rel="tag">sixties</a>, <a href="http://www.pimplomat.com/tag/summer-of-love/" rel="tag">summer of love</a>, <a href="http://www.pimplomat.com/tag/the-beatles/" rel="tag">The Beatles</a> 1 Comment