The Rewind Button: Nevermind

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

Nirvana NevermindI attended Tarleton State University in Stephenville, Texas, in 1991. As any red-blooded American male, I was away from home and on the make. It was a Saturday in October, and I had two options. Drive all the way to Dallas to see some show at Trees or stay in Stephenville and go to a party out in a field. Option one featured a long drive and a crowded venue. Option two featured free beer and the opportunity to meet girls. My friend and I debated the options, and since we only knew the teen spirit song by Nirvana, I talked my friend into staying and attending the party with me.

I didn’t get laid that night. In fact, the party was pretty much all guys. Guys in a field drinking beer. Come to find out, though, I missed one of the most notorious Nirvana shows of all time, one in which Kurt Cobain got in a fight with a bouncer. The show was a crazy mess, but one I’m sure I would have enjoyed more than free beer. I’m definitely sure I would have enjoyed it more. But that’s hindsight. At the time, the slight chance to meet a girl was greater than the latest rock music revolution.

One couldn’t ignore Nirvana very much that year. They were the defibrillation to an industry whose heart was clogged full of crap. And like any good change-makers, they altered fashion as well. There are still pictures out there somewhere with me in all my flannel glory.

I’ve noticed that flannel is making a comeback. I think that’s more to do with a wish for a new rock revolution. But I’m not sure if that’s possible now, because of technology. In 1991, society consumed products through a pipe, just as it was always done. Every now and then, though, someone would come along and either widen the pipe or shatter it all together. Today, the Internet, that “series of tubes,” helps spread consumption. There’s really nothing to break anymore, because if you want to do something revolutionary, you just create another pipe or site or tube for people to find you. And people like that. I know I do. But it doesn’t make very many people superstars, or if they are stars, they’re short-lived.

Kurt Cobain died in 1994, a year before commercialization of the Internet. By then, Nirvana was commercialized, too. The band thrived at an optimal time, because there is no way they would have had the same impact on culture if they came on the scene today.

I finally saw Nirvana in December 1993. It was a crowded show, but tame compared to what others witnessed at Trees two years earlier. I regret missing that specific show, but thanks to the Internet, we can all see it now. It’s not the same as being there. But Nevermind, too, isn’t the same as when released. Its edges have soften. Its spikes have dulled a bit. It’s still a great album and warrants higher placement than No. 17 on Rolling Stone‘s list. Still, listening to it fills me with regret at choices made, both personally and as part of society’s larger decisions. For all the good technology has brought us, I sometimes still long for the days when our gods weren’t so easily available or forgettable.

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1990s/" rel="tag">1990s</a>, <a href="http://www.pimplomat.com/tag/1991/" rel="tag">1991</a>, <a href="http://www.pimplomat.com/tag/dallas/" rel="tag">Dallas</a>, <a href="http://www.pimplomat.com/tag/grunge/" rel="tag">grunge</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/nirvana/" rel="tag">Nirvana</a>, <a href="http://www.pimplomat.com/tag/punk/" rel="tag">punk</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/seattle/" rel="tag">Seattle</a>, <a href="http://www.pimplomat.com/tag/stephenville/" rel="tag">Stephenville</a>, <a href="http://www.pimplomat.com/tag/tarleton/" rel="tag">Tarleton</a> 4 Comments

The Rewind Button: Blood on the Tracks

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

Bob Dylan - Blood on the TracksI’m sick of Dylan. Specifically, I’m sick of Blood on the Tracks. It’s the first album of this project that I couldn’t wait for it to finish so I could listen to something more agreeable with me.

After multiple listens, I still find it tedious and plodding. It doesn’t move me, and I feel no connection to it. Perhaps it’s one of those albums that I’m not ready for in my life. That’s happened before. Ten years from now I may declare this the best album humankind has produced. I’m allowed to change. But for now, I’m going to switch this one off and listen to something else, something that inspires a creative impulse in me. Blood on the Tracks makes me want to shut down and shut out the world.

Maybe that’s what it’s meant to do.

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1970s/" rel="tag">1970s</a>, <a href="http://www.pimplomat.com/tag/1975/" rel="tag">1975</a>, <a href="http://www.pimplomat.com/tag/bob-dylan/" rel="tag">Bob Dylan</a>, <a href="http://www.pimplomat.com/tag/folk/" rel="tag">folk</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rock/" rel="tag">rock</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>

The Rewind Button: Are You Experienced

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

Are You Experienced by The Jimi Hendrix ExperienceAre You Experienced is another album in this series of reviews that I’ve heard so much that it’s become second nature to me. Without blinking, I can tell you where the guitar solos start, sing along to the lyrics, and play air drums like a pro. I guess I should thank my family for having such great music around as I grew up.

Still, there are some songs on Jimi Hendrix’s album that aren’t as memorable to me as such classics as “Hey Joe,” “Purple Haze,” or “Foxy Lady.” It’s not that these songs aren’t any good. I just haven’t given them the proper respect as others. I like the way “Love or Confusion” is balanced in its chaos by the mellow and soulful “May This be Love.” “Third Stone From the Sun” is the seductive lead-up to the carnality of “Foxy Lady.” Finally, “Red House” is the perfect closer to an album that makes you sweat and see visions over and over again. It holds you and says you’re back home, that all these songs come from the same root.

It’s a grod (halfway between great and good) album for me. I don’t normally reach for it to listen to for pleasure, but I don’t turn off the songs when they come on the radio, either. And most of the time, I’d rather hear The Cure’s cover of “Foxy Lady” if given the chance.

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1960s/" rel="tag">1960s</a>, <a href="http://www.pimplomat.com/tag/1967/" rel="tag">1967</a>, <a href="http://www.pimplomat.com/tag/guitar/" rel="tag">guitar</a>, <a href="http://www.pimplomat.com/tag/jimi-hendrix/" rel="tag">Jimi Hendrix</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rock/" rel="tag">rock</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a> 1 Comment

The Rewind Button: Abbey Road

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

Abbey Road by The BeatlesListen, I love The Beatles. It makes me happy to see so many of their albums in the top 20 of Rolling Stone’s Top 40 albums of all time list. But being a fan of a band has its consequences. When I start to write about them, I struggle with what to say.

Because I’ve listened to their music for so long, I’ve become numb to it. No, this isn’t saying their songs don’t affect me. What I’m saying is that they’ve become so much a part of my life that I rarely give a second thought as to why I like them. It would be like me trying to go into detail why I like my right arm. I just do. It’s always been there for me. It helps me through life. Sure, I could survive without it, but having it is so much better. The end.

Stopping to consider why you like or dislike something can contribute to personal growth. But I wish you’d had asked me  20 years ago why I like Abbey Road. Then, it was more fresh on my mind. I could have told you that “You Never Give Me Your Money” is perfect until it speeds up, that by doing so it becomes a cluttered mess. I would also tell you that George Harrison pretty much owns this album with his two tracks, “Here Comes The Sun” and “Something.” I agree with Frank Sinatra’s assessment of it as “the greatest love song ever written.”

Twenty years ago I’d have more solid opinions about the rest of the album. But it’s ingrained in me now. It’s so clumped together with my being that it would be impossible to run it through a criticism sieve without destroying myself in the process.

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1960s/" rel="tag">1960s</a>, <a href="http://www.pimplomat.com/tag/1969/" rel="tag">1969</a>, <a href="http://www.pimplomat.com/tag/abbey-road/" rel="tag">Abbey Road</a>, <a href="http://www.pimplomat.com/tag/england/" rel="tag">England</a>, <a href="http://www.pimplomat.com/tag/frank-sinatra/" rel="tag">Frank Sinatra</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/the-beatles/" rel="tag">The Beatles</a> 2 Comments

The Rewind Button: The Velvet Underground and Nico

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday (or there about).

The Velvet Underground and NicoMy first band, Kilted Yak*, ended a lot of our shows with a cover of “Sister Ray.” We chose that song because Joy Division used to cover it, and we were obsessed with White Light/White Heat, the Velvet Underground’s second album.

I didn’t bother listening much to the band’s first, self-titled album. I wanted the chaos and noise of their second album, not the prettiness of Nico’s voice glossing over Lou Reed’s tales of dirty streets and deeds. Over time, though, The Velvet Underground and Nico has become a regular rotation in my personal playlist.

The songs sound familiar, and they never get old. They don’t sound dated. I suspect this album will sound as relevant 500 years from now as it is today, because there is no expiration date on humanity’s obsession with sex and life’s underbelly. As long as we have rebels, we’ll have people influenced by this album, wanting to emulate it, wanting it for the soundtrack of their lives.

Dave Lefebvre, over on MusicQwest, says he feels cool listening to this album. I do, too. Great albums have swagger that jumps from the songs into the listener, giving him a feeling of invincibility. Let me listen to some Velvet Underground, and I won’t take shit from anyone.

On my recent vacation, I found myself in a Copenhagen bar called Floss. It’s a small, narrow bar upstairs, with a young, party-worn clientele. But make your way to the back and down the spiral staircase. There you will find a huge room housing pool tables and sofas beneath a haze of cigarette smoke. This is the place for an album like The Velvet Underground and Nico. Put it on repeat, grab a two-dollar Tuborg beer and chalk your cue stick. You’ll feel like the world’s coolest person, no matter who you really are.

*Who can guess where our band name came from?

BONUS: Check out this bootleg, Live at End Cole Ave., a 1969 Velvet Underground show from my city, Dallas.

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1960s/" rel="tag">1960s</a>, <a href="http://www.pimplomat.com/tag/1967/" rel="tag">1967</a>, <a href="http://www.pimplomat.com/tag/cool/" rel="tag">cool</a>, <a href="http://www.pimplomat.com/tag/drugs/" rel="tag">drugs</a>, <a href="http://www.pimplomat.com/tag/joy-division/" rel="tag">Joy Division</a>, <a href="http://www.pimplomat.com/tag/kilted-yak/" rel="tag">Kilted Yak</a>, <a href="http://www.pimplomat.com/tag/lou-reed/" rel="tag">Lou Reed</a>, <a href="http://www.pimplomat.com/tag/new-york/" rel="tag">New York</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rock-and-roll/" rel="tag">rock and roll</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/sex/" rel="tag">sex</a>, <a href="http://www.pimplomat.com/tag/velvet-underground/" rel="tag">Velvet Underground</a> 2 Comments

The Rewind Button: Kind of Blue

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

Kind of Blue Miles DavisWe finally arrive at an album that I’m not that familiar with. After weeks of artists that I grew up listening to, we’ve come to Miles Davis, and a genre of music that has never interested me in the long-term.

I attended the University of North Texas, a perennial institution of jazz studies. If I wasn’t hearing jazz in Kharma Cafe, then I was hearing in J&J’s Pizza. Unlike Nashville country, it didn’t make me run away screaming for the fall of humanity. However, I’m still unable to tell the difference between Parker or Coltrane, Peterson or Mingus. I’ve had plenty of friends try to educate me on the art’s nuances and history. Still, the music never took hold of me the way indie, goth, or punk rock did.

Listening to Kind of Blue, then, is a new experience for me. Yes, after listening to these songs again, I realize that I’ve heard them many times before. As I said, though, they never stuck.

It’s a relaxing album. I’ve been listening to as I work, letting its melodies wash under the Word documents I edit. I feel more forgiving in my proofreading due to this album. (Freelancers, send a copy of Kind of Blue in with your work.) I feel sophisticated when I hear this album. I want to reach for a Scotch and cigar. I want to go to a party out in The Hamptons on a late summer day and dance under twinkling Christmas lights hung above a wide deck that leads down on to a beach.

In all seriousness, Davis’ playing is impeccable, and I appreciate that he arrived in the studio with song sketches rather than completed scores. It’s that part of jazz, the improvisation, that appeals to me the most. Perhaps the music not sticking with me is for the best, because much like improvisation on stage, hearing the songs will seem brand new every time and I can appreciate them in the moment, just as they should be.

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1950s/" rel="tag">1950s</a>, <a href="http://www.pimplomat.com/tag/1959/" rel="tag">1959</a>, <a href="http://www.pimplomat.com/tag/coltrane/" rel="tag">Coltrane</a>, <a href="http://www.pimplomat.com/tag/jazz/" rel="tag">jazz</a>, <a href="http://www.pimplomat.com/tag/miles-davis/" rel="tag">Miles Davis</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/trumpet/" rel="tag">trumpet</a> 1 Comment

The Rewind Button: The Sun Sessions

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

Elvis Presley The Sun SessionsThis edition is a dramatic scene featuring a conversation among music royalty in a game room.

King of Pop: You know, P., it was your hip swivels that I stole for my knee shaking.

King of Rock: The swivels, uh-huh, they were natural, not something created for show.

King of Pop: I don’t believe that. Don’t tell me that once you swiveled and heard the girls scream you didn’t swivel just a little harder the next time.

Queen of Rock: It’s not in the hips guys. It’s all in the chest, the way you shake what ya momma gave ya.

King of Rock: Another manufactured move. I’m natural. My music and moves come from my soul.

Queen of Rock: The only thing natural about you is how you naturally stole black music for your own gain.

King of Pop: That’s true! I took it back.

King of Rock: It wasn’t theft. It was a tribute, uh-huh.

Queen of Rock: What parts were tributes? The blues? The swing? Your voice?

King of Rock: All of it. If it weren’t for me, you’d be 20 years behind.

Prince of Darkness: I’m going to have to butt in here you don’t mind this crazy talk can’t we all get along and just play music or some pool?

King of Rock: I’m with him. Let’s love the music and stop picking apart who it came from.

Prince of Darkness: It really doesn’t matter in the end cuz we’re just listening to one big story with different chapters and narrators.

King of Pop: That’s the most insightful thing you’ve said in the last forty years.

Queen of Rock: It’s just that your chapter comes first when it shouldn’t.

King of Rock: Well, little darlin’, whose should?

Queen of Rock: Arthur Crudup. Bill Monroe. Kokomo Arnold. Do I need to go on?

King of Rock: I can’t help it if I had a bigger, uh-huh, stage presence than them. They should be thanking me.

King of Pop: They would if people remembered them. They’re a footnote to you.

King of Rock: Better a footnote than nothing.

Prince of Darkness: The pool table is ready let’s stop all this mumbo jumbo and play a round drinks are on me Jack Daniels anyone?

King of Rock: I got first shot.

Queen of Rock: Let me and Pop take first shot. It doesn’t always have to start with you.

King of Rock: Keep up this attitude and you’ll be out on your own.

Queen of Rock: It’d be better than following in your shadow.

King of Rock: Which you’ve taken full of advantage of.

King of Pop: Let’s take a break and relax. You know, the Prince of Darkness is correct. We’re all telling the same story. What’s it matter who started it? It’s how it ends that matters the most.

Prince of Darkness: If we keep up this criticizing like we do we’ll end it sooner than it should end let’s just play and enjoy the moment and not worry about who’s first or eleventh its all the same when you sleep at night.

End Scene

(Author’s note: Elvis’ version of “Blue Moon” floors me every time I hear it.)

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1950s/" rel="tag">1950s</a>, <a href="http://www.pimplomat.com/tag/1954/" rel="tag">1954</a>, <a href="http://www.pimplomat.com/tag/elvis-presley/" rel="tag">Elvis Presley</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rock-and-roll/" rel="tag">rock and roll</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/sun-sessions/" rel="tag">Sun Sessions</a> 1 Comment

The Rewind Button: The Beatles

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

The Beatles The White AlbumHenrik Ibsen’s play A Doll’s House explores the notion of individuality, namely the process of figuring out who you are so that you can become that person completely. Considered controversial at the time of its premier and publication, today the play is a dramatic classic.

The Beatles (a.k.a. “The White Album”) was slated to be named A Doll’s House after the Ibsen play. It’s a fitting title, because it too is representative of a group trying to figure out who they are and who they will become. (I wish they would have stayed with that title, because I love seeing works tethered to each other across genres and ages.)

Based on previous Rewind Button reviews, it’s no secret that I love The Beatles.  To paraphrase the character Bob Slydell from the movie Office Space: I’ll be honest with you, I love their music. I do. I’m a Beatles fan. For my money, I don’t know if it gets any better than when they sing “While My Guitar Gently Weeps.”

Because of its eclecticism, it’s the perfect primer for someone who has never heard The Beatles’ music. Put this album on at a party, and you’ll have at least one song that will appeal to individual listeners.

We’re back at that word: individual. This is the album that starts the group’s third act, the one that leads to their denouement. They’ve figured out that they don’t need each other to write great songs, they have the strength to be on their own without carrying the weight of a group name so entrenched in the collective mind of society, which can appear quite rigid and unforgiving.

Maybe not naming the album was for the best. A lack of artwork and proper name lends to the notion of new beginnings, a clean slate, a slam of the door on the past and the white light at the end of a tunnel.

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1960s/" rel="tag">1960s</a>, <a href="http://www.pimplomat.com/tag/1968/" rel="tag">1968</a>, <a href="http://www.pimplomat.com/tag/a-dolls-house/" rel="tag">A Doll's House</a>, <a href="http://www.pimplomat.com/tag/ibsen/" rel="tag">Ibsen</a>, <a href="http://www.pimplomat.com/tag/individuality/" rel="tag">individuality</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/the-beatles/" rel="tag">The Beatles</a>, <a href="http://www.pimplomat.com/tag/white-album/" rel="tag">White Album</a>

The Rewind Button: Blonde on Blonde

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

Blonde on Blonde by Bob DylanI’ll admit that I had every intention on writing this review earlier in the day. Life happened, though, and I found myself relaxing on the couch and reading a book at the end of the night. Pausing to rest my eyes, the song “I Want You” popped into my head. And then it hit me–I forgot to write the review.

But maybe I didn’t forget. Maybe I procrastinated because Blonde on Blonde is another album in this series that, while good, just doesn’t inspire me to rush out and exclaim its virtues. I do like it better than Highway 61 Revisited, primarily because of its pop qualities. “Rainy Day Women #12 & 35” reminds me of the opening music to a big-top circus performance. (Cue obvious note of the song influencing how The Beatles opened Sgt. Pepper’s.)

All the other songs on the album are good, yes, but as I write this review, they don’t come to mind as easily as “I Want You” or “Rainy Day Women.” I readily admit that I’m a sucker for a good pop hook, and perhaps that is what is throwing me off with this album. I may be focusing too heavily on those songs that are obvious singles for radio play. There’s nothing wrong with loving singles, but this is supposed to be a review of an entire album, a critique of how the individual parts work toward a superb achievement.

Tonight is not that night, though. Tonight is about pouring a big glass of Sangiovese wine, sliding on some headphones, and locking a song on repeat. I don’t think Dylan would mind. He wanted to be the voice of the common man, and for every individual, that voice comes through one song. Tonight, that song for me is “I Want You.”

Please visit these other blogs participating in The Rewind Button project:

 

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1960s/" rel="tag">1960s</a>, <a href="http://www.pimplomat.com/tag/1966/" rel="tag">1966</a>, <a href="http://www.pimplomat.com/tag/bob-dylan/" rel="tag">Bob Dylan</a>, <a href="http://www.pimplomat.com/tag/folk/" rel="tag">folk</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a> 3 Comments

The Rewind Button: London Calling

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

The Clash London CallingLondon Calling
33-year-old male
London, England
seeking males and females, 17-64

Have Kids: No

Want Kids: No

Ethnicity: White

Body Type: Skinny

Height: Tall

Religion: No comment

Smoke: All the time

Drink: All the time

Favorite Hot Spots: The Black Swan, Dingwalls, various pubs around London

Favorite Things: Rockabilly, ska, reggae, punk music, drugs, football, talking politics

Last Book Read: I read newspapers all the time, more so than books.

For Fun: I love to rebel-rouse. All my friends would call me the life of the party. And music. Oh my god, music is my life. Well, that, and playing football. When I’m out at the pub–I go there a lot–people say I’m pretty surly. I’m not really. I just come across that way because, you know, there’s so much wrong in the world and I feel people should do more to correct it. I seem to just take it upon myself, and that makes me a little sour toward people. I think people should be allowed to be themselves, but society constantly pushes them into the cubes and tries to form them into blocks that they can stack one on top of the other. I’m want to topple that stack. I want to throw a beanbag into and bring it all down. That’s how I know I’m winning in this world, that’s how I know I’m somebody. But, man, it’s so hard. So most of the time, I just chill in my room with beers and friends and we listen to some music. We don’t care what kind. If we enjoy it, we listen to it. That’s why people call me a punk, because I don’t give a fuck. But I do in a way. It’s weird, I only care because I want to care, not because someone tells me to care. That’s what’s fun to me. Doing things my way and not boxing myself in. If you’re cool with that, write me.

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1979/" rel="tag">1979</a>, <a href="http://www.pimplomat.com/tag/british/" rel="tag">British</a>, <a href="http://www.pimplomat.com/tag/london/" rel="tag">London</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/punk/" rel="tag">punk</a>, <a href="http://www.pimplomat.com/tag/reggae/" rel="tag">reggae</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/rolling-stone/" rel="tag">Rolling Stone</a>, <a href="http://www.pimplomat.com/tag/ska/" rel="tag">ska</a>, <a href="http://www.pimplomat.com/tag/the-clash/" rel="tag">The Clash</a> 4 Comments

The Rewind Button: Exile on Main St.

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

Since the Rolling Stones are masters at creating music based on influences, I thought I’d do the same for my review this week. I asked friends on Facebook and Twitter to send me adjectives to describe Exile on Main St., and I took those words and crafted my own short review. I packaged it all on Storify.

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1972/" rel="tag">1972</a>, <a href="http://www.pimplomat.com/tag/america/" rel="tag">America</a>, <a href="http://www.pimplomat.com/tag/blues/" rel="tag">blues</a>, <a href="http://www.pimplomat.com/tag/british/" rel="tag">British</a>, <a href="http://www.pimplomat.com/tag/england/" rel="tag">England</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/rewind-button/" rel="tag">Rewind Button</a>, <a href="http://www.pimplomat.com/tag/soul/" rel="tag">soul</a>, <a href="http://www.pimplomat.com/tag/the-rolling-stones/" rel="tag">The Rolling Stones</a> 3 Comments

The Rewind Button: What’s Going On

The Rewind Button is a group blogging project that I’m participating in. We’re taking on Rolling Stone‘s Top 40 albums of all time and writing our own reviews of them. There will be a new album and review each Thursday.

Marvin Gaye "What's Going On"I’ve put off writing this review for a while, because this is the first album in the blogging project that I’m unable to get excited or angry about. It has pretty much left me in an emotional purgatory. Repeated listens still have yet to move me either way.

Whenever I find myself unemotionally attached to an album, I start to question why. And through self-examination, I eventually get pushed pro or con. That’s yet to happen with What’s Going On. I’m still sitting in my best Rodin pose, fist under chin, eyes closed, listening to the music, the lyrics, mulling it all over in my head.

Perhaps the best route is to list a few things I like best about the album: most of the songs running together without pause, the variety of instruments used, Gaye’s voice. The two songs that stand out (perhaps because I’ve heard them hundreds of times) are “What’s Going On” and “Mercy Mercy Me.”

Outside of those elements, I’m having trouble connecting with this album. I listen to it and keep waiting for it to end, much like my younger self did in church attending a sermon. And just like then, nothing is sticking.

Please visit these other blogs participating in The Rewind Button project:

Send to Kindle
Posted in <a href="http://www.pimplomat.com/category/music/" rel="category tag">music</a>, <a href="http://www.pimplomat.com/category/rewind-button/" rel="category tag">Rewind Button</a> Tagged <a href="http://www.pimplomat.com/tag/1971/" rel="tag">1971</a>, <a href="http://www.pimplomat.com/tag/drug-abuse/" rel="tag">drug abuse</a>, <a href="http://www.pimplomat.com/tag/environmentalism/" rel="tag">environmentalism</a>, <a href="http://www.pimplomat.com/tag/marvin-gaye/" rel="tag">Marvin Gaye</a>, <a href="http://www.pimplomat.com/tag/motown/" rel="tag">Motown</a>, <a href="http://www.pimplomat.com/tag/music/" rel="tag">music</a>, <a href="http://www.pimplomat.com/tag/rb/" rel="tag">R&B</a>, <a href="http://www.pimplomat.com/tag/vietnam/" rel="tag">Vietnam</a> 4 Comments